Cocktail Piano Chords: Open Voicing and Then Some…

Cocktail-Piano-ChordsOur focus on cocktail piano chords has included some attention on open chord voicings. As a review, let’s consider one way we can open up a chord like a Major 7th. We’ll use Fmaj7 for our example. This chord, in its most basic form (root position) is spelled like this:

F  A  C  E
1  3  5  7

This chord is considered to be in “closed” position since the chord tones are as close to each other as they can possibly be. In other words, there are no chord tones between the F and A, the A and C, or the C an E.

Well, we can open this chord by playing a 1-5-7-3 voicing, which looks like this:

Cocktail-Piano-ChordsPlay this chord voicing as it illustrated above and listen. Just the way it is here, we have one of the most popular cocktail piano chords played by the pros. You’ll notice that the chord has all four of the basic chord tones, so it is complete as it is. That said, let’s make it a little “fuller” by doubling the root and playing it in between the 3 and 7. We will leave the 1 and 5 “open”. Our result looks like this:

Cocktail-Piano-ChordsPlay this new chord voicing as we have illustrated it and listen. Then compare the one preceding it by playing them both back and forth. It’s interesting how making one simple modification can change the texture of the voicing we are playing.

How could we use this? Well, to illustrate, we will use an excerpt from the very popular Pro Piano Chord Bytes (a 24 week online subscription that can change the way you think about playing chords). Let’s say that we are playing the beginning of Hoagy Carmichael’s and Mitchell Parish’s Stardust. If you look at the melody, you’ll notice that it is the 6th of the chord. Well, a very tasteful way of filling this up would be to use the Major 7th voicing that we just took a look at. The entire voicing may be played below that melody note.

Here is the excerpt from Pro Piano Chord Bytes that illustrates doing exactly that:

Cocktail-Piano-Chords

Play this chord voicing in the context of this melody and notice the richness that results!

You are highly encouraged to transpose this voicing into other keys. Doing so will have you feeling so much more confident when you’re looking to get a nice full sound on those major chords. Of course, you will gain more value by actually incorporating the voicing in favorite standard songs of yours!

Remember,

Always…

ALWAYS…

PLAY WITH PASSION!

Musically,

Dave
www.PianoAmore.net
www.ProProach.com

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