Tag Archives: chord progressions

Cocktail Piano Chords: Opening Up Those Triads

Cocktail-Piano-ChordsWhen it comes to playing cocktail piano chords that are the among the easiest to play while being extremely effective, what we’ll be looking at here will rate high on the list. If you know how to play some simple triads (three-note chords), this will come easy to you. In addition, you’ll discover for yourself that, even if you don’t have a specific tune in mind, you can compliment a nice ambience with these cocktail piano chords when played subtlety and legato.

Again, we’re using simple triads here. For our example, we will look at the C Major triad in Root Position, 1st Inversion, and 2nd Inversion  in their closed postions:

Cocktail-Piano-Chords

By simply opening up these triads and playing them in their open positions, we arrive at some very nice textures. When supported with the use of the sustain pedal, sometimes played as we see below and other times played in a arpeggiated fashion, you can easily grab a listener’s ear with very sparse playing…

Cocktail-Piano-Chords

If the concept of “opening” a chord is new to you, we are simply taking the middle chord tone of each position in our first illustration above and playing it one octave higher. Yes, two hands will be used, and this particular example that we just illustrated can be easily fingered with the right hand by simply fingering a Cmaj in 1st inversion (while allowing the left hand to take care of everything else). Doing so places your right hand fingers within easy grasp of E, G and C as they are played subsequently, as shown above.

Once you are comfortable with playing our example above in open positions, consider playing through a chord progression using these open positions. Doing so will accomplish at least two things: 1) Your confidence with playing triads in open positions will rise tremendously; 2) You’ll be playing something that sounds quite nice when taking those open positions through, say, a I – vii – ii – V chord progression like Cmaj – Amin – Dmin – Gmaj.

Please consider putting the above suggestion to use in addition to understanding it intellectually. Actually take yourself through the three positions over each chord in that chord progressions. You’ll automatically have, at your fingertips, twelve interesting chord textures you can feel good about adding to that “piano playing toolbox” of yours.

Next, take yourself through an entire favorite song of yours and simply play the chords in their open position inversions as if you were accompanying yourself while singing the melody. Experiment with different inversions as you play through the chord changes of the song again and again. Watch your confidence with playing cocktail piano chords grow!

Remember,

Always…

ALWAYS…

PLAY WITH PASSION!

Musically,

Dave
www.PianoAmore.net
www.ProProach.com

Jazz Piano Chords: A Popular Ending

Jazz-Piano-ChordsLet’s take a look at a couple of jazz piano chords that, when played one after the other, make for one of the most popular endings of all time. We will relate this to the key of C Major for our illustration. Of course, as always, you are highly encouraged to transpose what you learn to other keys.

The two chords that will be playing are basically Db7 and Cmaj6. In their most basic forms, they are spelled out like this:

Db7 = Db  F  Ab  Cb

Cmaj6 = C  E  G  A

We will be voicing these two chords in a fashion that sounds full as well as tasty. First, we will be adding some color to each of these chords…

To the Db7, we will add the 9, which is Eb. To the Cmaj6, will add the 9 as well, which is D. Spelled out in order, we have:

Db  F  Ab  Cb  Eb  for Db7, which is now Db9.

C  E  G  A  D  for Cmaj6, which is now Cmaj6/9.

Played in that order, we can hear that these chords sound more “juicy” than the original ones above. However, when we voice the chords as we are doing below, we have something quite appealing.

We are going to voice them as follows:

1 – 5 – 3 – 7 – 9  for Db9

1 – 5 – 3 – 6 – 9 for Cmaj6/9 (sometimes called C6/9)

Once you are comfortable playing each of these chord voicings, play the Db9 and follow it with the C6/9 and you just might recognize that popular song ending we were mentioning. This works especially well when we are playing in a swing style.

Let’s take a look at what these jazz piano chords look like on the staff:

Jazz-Piano-ChordsMost of the time, the Db9 is played on the 2nd beat following a rest and leads into the C6/9 a half beat later as illustrated above.

This chord progression could be analyzed as bII9 – I6/9 for the purpose of transposing to other keys.

These chord voicings sound quite rich and really lend themselves to creating an ending that ends with authority. The perfect 5th intervals at the bottom of the voicings together with the perfect 4th intervals at the top of the voicing really contribute to the flair that this mini chord progression creates.

Again, transposing this chord progression to other keys will increase your confidence because, whenever you are playing a swing tune and want to achieve this effect, you’ll have it available on command. Have lots of fun with this one!

Remember,

Always…

ALWAYS…

PLAY WITH PASSION!

Musically,

Dave
www.PianoAmore.net
www.ProProach.com