Tag Archives: piano improvisation handbook

Piano Improvisation Handbook

Piano-Improvisation-HandbookA piano improvisation handbook for beginners  that will serve as a starting point for those who feel as though they would like some encouragement in this area is available. This guidebook is brief and is accompanied by a short video that demonstrates the easy approach presented. If you have felt inspired to improvise on piano but wish you had an easy way to get your feet wet, you are likely to find this one quite eye-opening (and ear-opening).

The piano improvisation handbook/video combo is entitled The One Improvisation Secret You Must Know and has proved to be rather popular. This popularity is most likely due to its simplicity. This is not a book on improvisation that is meant to be read in an armchair. Actually, it will not take you long at all to read through it. It is not something that is meant to be studied intensely. Reading through this guidebook once along with exposing yourself to the piano video session once is likely to be enough for you to grasp the concepts and begin applying them immediately.

In college, one of my teachers (in harmony class) who was also a trumpet player, alerted me to a very simple approach to improvisation. I had been familiar with the concept but actually hearing it from one I considered to be an authority confirmed for me that this was a way of learning to improvise that was worth paying attention to. This improvising strategy is so simple that many are likely to discount the real power of it. Why is this improvisation technique so effective? Well, it’s practical and it promotes musicality.

By the way, this teacher informed the entire class that he had attributed his ability to improvise to taking this route. I heard this guy playing a gig at a local club just up the road from Berklee College of Music and, wow, could he ever play! Bebop was where it was at that night and he cooked on that trumpet!

Okay, here it is:

Learn to improvise by learning the melody of that tune you are playing like you never knew it before. Play it over and over again and, little by little, use small embellishments. Over time, it works like magic. You see, by improvising this way, you show respect for the melody and, as a result, your improvisations really take on a nice shape.

There is, of course, nothing wrong with learning scales and patterns and incorporating them into your solos. It is actually encouraged. But this improvisation method that we are referring to here does not require thinking along those lines. You can start as simple as approaching a melody note by a half step below. If the melody note is G, for example, and is played for two beats, you can just play the Gb for a half beat and follow with the G for the remaining beat and a half… or you can change the note values, of course. The possibilities are endless. The piano improvisation handbook mentioned above can help you tremendously with this method of improvising.

As you implement this improvisation technique more and more, you’ll find yourself becoming more creative around those melody notes. The result? Your improvisations will have coherence and you will be developing your own personal style!